radio ouch
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radio ouch

conceptual framework developed a domestic radio for lexon paris


the host and the parasite, the ideal perfect form and itís corresponding error
are the thematic for this investigation. with the advance of flexible manufacturing process it was my intention to develop a formal response to a specific gesture for a radio alarm, a radio alarm with a deformation which predicts it eventual abuse by the user.

the complete range of all seven experiments executed using soft modeling clay. a perfect rectilinear form based upon the golden section ratio of 1 : 1.6180339887 which generated a 60 x 60 x 97.08 mm volume in soft clay, which was then dropped from varying heights. the resulting deformation was then fixed and given a reference number corresponding to the height that it was dropped from.

the datum original ideal form 000 became the original form to which every subsequent experiment was referenced. the resulting formal qualities are the product of a mechanical process and using gravity as a generator of form in an attempt to escape from a personal aesthetic based upon taste. the product was developed with an active engagement with industrial process via manufacture with LEXON paris in an attempt to exploit the capacity for 3D digital scan to replace the formality of drawing. it was a deliberate act to supress the creativity found within mark making using conventional
technique offered by a somewhat tired format and to replace it by a mechanical strategy devoid of personal taste. in effect the creative act was the generation of the process.
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